Friday 16 April 2010

David Cameron Exclusive

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The Pick and Rofl can exclusively reveal that Conservative leader David Cameron, in a desperate bid to appear in touch with young people of today, not only partook in smoking several cannabis joints:

"Bally well wheel it up, Jeeves!"

But also tried to appeal to urban youth by distributing it for profit

This transaction was caught by hidden cameras. A national political scandal erupted when it was found both scorebags weighed in at 4g total.

This news comes at a key time, and will undoubtedly swing the outcome of the UK general election. A truly groundbreaking piece of investigative journalism, exclusive to the Pick and Rofl. Do they give Pulitzers in England?

Wednesday 14 April 2010

Court Characters

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Spring has brought some (some) good weather rolling over these Isles, and I've been returning to local parks for the first pickup games of the year. In celebration, here's a look at some of the players who are unmistakable presences at many an informal ballgame.

A PICK AND ROFL FIELD STUDY: Pickup Game Characters


Mr Follow Through - Has good shooting mechanics, and will make sure you notice them every single time. For him, every jumpshot is the last moneyball in the NBA 3-point contest. The hand hangs in the air like Jordan's championship-winner in '98. He does it to look slick for when he beats the buzzer in his head (which is every time).

"AND HE SINKS IT AT THE BUZ- oh my bad"

Basketball Shopper - He enjoys shopping for basketball gear as much as he enjoys basketball. New trainers and throwback jerseys are unveiled every week, the more obscure the better (nobody more popular than Olden Polynice is permissible). Also sports an assorted array of headbands, wristbands, Keith Van Horn socks, shooting sleeves and official team warmups.

Player-Coach - Usually has a couple of years of organised ball under his belt, and so spends his time incessantly calling plays, shouting instructions, directing the defense, and offering advice/motivation. Occasionally pulls his team to one side and quickly runs through the Triangle or the Princeton offense.

OK, everyone got it? "Win" on three! One, two, THREE!

His Airness - Always dunking, trying acrobatic layups and calling for alley-oops. To his credit, he is capable of actually getting up there and putting it down. That's why he wants to do it so often. But he's prone to getting carried away, attempting double-clutch moves, windmills and reverses; most of which he mistimes or flings off the rim. When he does get them down and somebody happens to be within a couple of metres, he howls at them and angrily thumps his chest.

The Fundamentalist - A great guy to have on your side. Might not have much range, great handles, or any hops at all. But he does the dirty work. Plays energetic defense, boxes out, sets hard picks. Even dives for loose balls and takes charges on the outdoor concrete surfaces. He probably played for a good coach at some point, so don't be shocked when he starts making some neat bankshots during crunch time.

 
"Hey what's up, do you guys need an extra player?"

Spot - Has figured out how to make it rain from exactly one spot on the floor. Will park there all game, and wet that jumper 75-80% of the time. Despite his predictability, he somehow always manages to get the shot off over the defense. Much to Player-Coach's anguish, who barks for active hands, tighter rotations and quicker weakside help.

Homo Sapiens V1.2 - Not necessarily a great baller, but head-and-shoulders more athletic than anybody else on the court, regardless of the playing level. He is explosively quick, strong as a bull, and has inexhaustible stamina. He keeps driving to the hoop, either leaving defenders in his slipstream or bulldozing them over. Eventually, everyone stops trying to challenge him since it's not worth the wasted energy/crash to the floor. Very difficult to identify before the game - V1.2 often manifests as a fat Eastern European guy in his 50's.

Confirmed body types of Homo Sapiens V1.2 incarnations.

The Tandem - Unstoppable duo, who grew up learning the sport alongside each other, and know each other's games inside-out. They generally only pass to each other, not trusting the rest of the losers on the team to be on their level. They run the pick-and-roll like Stockton and Malone, unfold intricate passing moves like Bird and Walton, unleash suffocating traps on defense, find each others' cuts, drive-and-dish, and generally never put a foot wrong. Eventually it just gets old and everybody else goes home.

Victim - In his mind, Victim is stalked by brutal opponents who viciously assault him with a game-long barrage of hacks, elbows, shoves, swipes, knees and trips. Every drive is met with a Flagrant 2-worthy Judo takedown, every jumper is met with a wildly-flailing blocker who mauls his shooting motion with both legs and arms. Can often be a game-ruiner, repeatedly grabbing the ball with indignation and insisting on free throws.

 LEFT: Actual events. RIGHT: Victim's perception of events.

Monday 22 March 2010

Brrrrrrack

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Nuanced political commentary from the Pick and Rofl..

Saturday 20 March 2010

Reefer Madness

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One could be forgiven for assuming that the 1960's saw the first mentions of marijuana moving into music (in the era of classic rock, psychadelia, reggae, etc). But the first 'weed songs' are actually from much earlier, stretching back to a time nearer the beginnings of recorded music. The swing big bands, bluesmen and jazzy hepcats of the 1930's and 40's produced an oft-forgotten small library of weed-inspired music.

Cannabis was not made illegal in the USA until 1937, but had long been seen as corruptive and debasing - a substance for criminals, revellers with loose morals, and black/foreign people. But among the bandstands of the popular swing ensembles, it was indulged and cherished. In the music halls, where the young and the hip converged, reefer would constantly be on the burn. Showbusiness then was as seedy as ever: gangsters and dealers mingled with entertainers and ordinary folk, hard drugs and prostitutes were openly-available, serious violence was common. Weed is a natural and ubiquitous feature in such a scenario.

Performers used the "tea" for both inspiration and recreation, and many broadcasted their love of the herb in their songs, decades before 1968 and the cultural revolution. Uploaded in this post is a small selection of those tracks: from uptempo swing tunes striking a celebratory tone about getting high, to grittier blues parables about the downfalls of addiction and vice.

The slang terms of the time are wonderfully memorable - zoots are reefers; chro is jive, tea, or wacky dust; weedsmokers are vipers. While the syntax might have changed, drug imagery is near enough universal, unchaging across cultures and eras... dealers, addicts, and weed-induced experiences are instantly-recognisable in the songs, even to someone who's never listened to jazz or blues before.

The Pick and Rofl "Reefer Madness" Tape - Early Weed Music


01 - Ella Fitzgerald - When I Get Low, I Get High
02 - Cab Calloway - The Man From Harlem
03 - Baron Lee - Reefer Man
04 - Gene Krupa - Feelin High And Happy
05 - Rosetta Howard - If You're a Viper
06 - Trixie Smith - Jack, I'm Mellow
07 - Barney Bigard - Sweet Marijuana Brown
08 - Ella Fitzgerald - Wacky Dust
09 - Ray Charles - Let's Go Get Stoned
10 - Cleo Brown - The Stuff Is Here And It's Mellow
11 - Buck Washington - Save The Roach For Me
12 - The Cats & The Fiddle - Killin Jive
13 - Champion Jack Dupree - Junker Blues
14 - Curtis Jones - Reefer Hound Blues
15 - Jazz Gillum - Reefer Head Woman
16 - Lil Green - Knockin Myself Out
17 - Muddy Waters - Champagne and Reefer

* Note I realise the Muddy Waters and Ray Charles songs are from much later, but they are included because they are superb 'old weed' songs, which do not break up the blues-jazz aesthetic of the collection.

Friday 19 March 2010

Terence Blanchard - A Tale of God's Will

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This 2007 album is Terence Blanchard's haunting and moving reflection on the tragedy and failures represented by post-Katrina New Orleans: a perfectly-balanced emotional journey through frustration, rage, sadness, despair and hope. The power in the compositions is emphasised by a 40-piece orchestra, deployed into the fold of a traditional small-band jazz array. On top of displaying his usual mastery on the trumpet, Blanchard conducts the orchestra and band with precision and restraint, summoning the music's mournful character with a forceful and intense all-round performance.

Terence Blanchard - A Tale of God's Will (A Requiem For Katrina)


Click to DL.

01. Ghost Of Congo Square
02. Levees
03. Wading Through
04. Ashe
05. In Time Of Need
06. Ghost Of Betsy
07. The Water
08. Mantra Intro
09. Mantra
10. Over There
11. Ghost Of 1927
12. Funeral Dirge
13. Dear Mom